Everything originates from the simple aesthetic pleasure that only art in general and sculpture in particular are able to give to the attentive observer. Naturally, a thematic focus was then reached which ultimately resulted in a clearly recognizable production-planning logic that deeply binds all of our production.
Tangible and cyclical is therefore the use of materials, their association, the relative mechanical and surface processes that sometimes seem to radically change their essence but which in reality enhance their real essence: marble, metal, plexiglass, so different from each other. yet very similar, one used to “light up” the nature of the other without ever overwhelming the sense of the other … and then conveying on them the luminous fluxes that ultimately merge together in a single harmonious play of presences and shortcomings, of full and empty, of light and dark, of reflections and distant projections.
All this derives from a careful, passionate and long design phase and from the constant and profound study of the prototype, to which it is continually added and subtracted, until it is the work itself that seems to escape and does not accept further manipulations, considering itself truly complete. .